All Super 8. Twenty years ago I reedited the film on my Elmo, then projected it, videoed the screen, then used pass-through to digitize from the analog tape. Flicker was a problem solved by matching frame rates, and the whole transfer took a lot of experimentation. I had previously paid to digitize old film on a sprocketless machine, which came out very bad indeed ("sir, you didn't pay for a technician to color time it"--and this was in Hollywood, mind you). I'm sure digitizing is easier and cheaper today.